Thursday 13 November 2014

Build a Product That Only a Few People Want, But Want Desperately

Narrowing down your market at the time of launch will help you learn fast from your mistakes, save money on marketing, and soon attract more customers.
Instacart's first customer was its founder. Then a few of his friends started using the app, because for them, as much as for the founder, Apoorva Mehta, shopping for groceries was a big pain in their lives.
The app recently closed $44 million in funding.
Narrow down your market when you're building a product."Sometimes the trick is to focus on a deliberately narrow market,"  Y Combinator co-founder Paul Graham writes "It's like keeping a fire contained at first to get it really hot before adding more logs."
To give you some examples from existing successful products, Facebook was launched only for Harvard students. Uber was launched for customers only in San Francisco, as was Instacart. And even Starbucks started with just one store in Seattle.
Look where they are today. They all built a product that only a few people wanted, but so desperately that those customers couldn't imagine a day without its existence. So passionate were those people about the product or service that they made sure the entrepreneurs were able to scale to a much larger audience that had similar problems or pain points.
How, you ask? Here's how building only for a small audience that desperately needs a solution can help your business become successful.

1. Making mistakes

The only validation for your product is when customers use it consistently. Getting your product in the hands of your customers at the earliest possible time then becomes imperative to its success.
When you identify and build for a small number of users, you get the opportunity to make your early mistakes with only that select audience. You get to learn fast from those mistakes to continue iterating on the product up to a point where it resonates with that initial audience.
Your mistakes are contained, your learning is fast, and the quality of feedback will be far superior, as you can observe user behavior firsthand.
Once you hit the target of your first 100 users, connect with them personally as much as you can. That means picking up the phone and speaking to them. It also means driving out to meet them and observing their behavior while they use your product.
The more you interact with them, the more feedback you'll get on their needs and whether your product is working in its current avatar or not.
For example, if you're making a product for fixing playdates for children, and assuming parents will send their kids to someone else's place without first interacting with them, you can learn quickly whether you need to build some security measures by signing up a few users (100 or 1,000).

2. Minimizing costs

Trying to reach out to your audience nationally or globally on day one would essentially mean you launch a marketing blitz costing several thousand dollars, at the very least.
All this, without knowing whether even a small subset of this audience would want to use your product.
The benefit of building for a small audience is that you will save these thousands of dollars and incur costs of only a few hundred dollars (at the most) in recruiting customers manually.
Llet's take the same playdate concept as an example. By going to your local schools in the vicinity and talking to parents there, you can acquire your first set of customers manually without having to spend money on marketing. You can gradually work your way through different schools in your city once you've identified a product-market fit with the current audience.

3. Influencing word of mouth

The more you interact with your initial set of users, the more they engage with your product and brand. The more they're engaged and know that you're interested in building a solution for them that works, they more likely they are to continue using your product.
Once you've hooked a user, that user becomes an evangelist for your product or brand. These first sets of passionate users start spreading the word about your product among their network of friends, family, and colleagues. Make sure you provide enough tools for the users of your product to help you spread the word about it when they want to.
For example, if you bring a friend of yours onto Uber, both you and your friend get a credit when the app is used. Now, first, you would recommend it to your friend only if you had used it at least once and had a great experience. And once you've decided to recommend the app to your friends, Uber makes it easier for you to do so and at the same time delights you by incentivizing.
This is how some of the most successful apps got traction--not by the companies spending millions on marketing but by investing their time in delighting the first few sets of customers, to the point they couldn't help spreading the word, triggering a viral effect.
This article is picked from Inc Magazine.

Tuesday 4 November 2014

9 Mistakes Businesses Make on Social Media (Infographic)

Over the past few years, I’ve created social media content and strategies for some of the world’s largest and most influential companies. I’ve also helped some friends tackle social media for their small businesses. I have come to the following conclusion: Social media can be really difficult.
Common assumptions often go like this: “It’s only 140 characters. How hard can it be?” Take into account things like brand voice, posting times, imagery, campaign goals, broader marketing goals, etc. and on could say a tweet is never just a tweet.
With so much to consider, it’s easy to make mistakes, but luckily there’s an infographic by entrepreneur Jason Squires to highlight nine of the most common mistakes businesses tend to make in social media.
9 Mistakes Businesses Make on Social Media (Infographic)

This article is picked from Entrepreneur Magazine

10 Painful Rejection Letters To Famous People Proving You Should NEVER Give Up Your Dreams

1. Madonna

Source: perezhilton.com
When the Queen of Pop finally signed with Sire Records in 1982, her debut album sold more than 10 million copies worldwide. She used this early rejection as motivation, as this respected producer didn't believe she was "ready yet." She's now the best selling female artist of all time.

2. Tim Burton

This Disney editor didn't consider Burton's first children's book, "The Giant Zlig", marketable enough. He took the feedback to heart, feverishly honed his skills and was hired as an animator's apprentice at the company just a few years later. He went on to become involved in films like "Edward Scissorhands", and "The Nightmare Before Christmas".

3. Andy Warhol

Source: papermag.com
In 1956, Warhol gave one of his pieces to the Museum of Modern Art - for free - but was quickly rejected. Obviously, his luck turned around pretty fast. On top of having his own museum in Pittsburgh, the very museum that rejected him now features 168 of his original works.

4. U2

Source: mentalfloss.com
When U2 debuted in 1979, RSO Records was thoroughly unimpressed. Within months, the band signed with Island Records and released their first international single, "11 O'Clock Tick Tock." They went on to sell 150 million records, win 22 Grammy Awards (most of any band ever), and performed in the highest grossing concert tour in history . 

5. Kurt Vonnegut

Three writing samples sent to The Atlantic Monthly in 1949 were deemed commendable, but "not compelling enough for final acceptance." Rather than giving up, Kurt framed the letter, which now hangs in his Memorial Library in Indianapolis.
His most famous work, Slaughterhouse-Five , is rumored to have developed out of one of the samples.

6. Sylvia Plath

Source: openculture.com
Although this wasn't a complete rejection, the New Yorker requested the entire first half of "Amnesiac" to be cut. It's hard to believe that the Pulitzer Prize-winning poet would have her work torn apart, but it shows how even the greatest writers start from humble beginnings.

7. Gertrude Stein

Source: mentalfloss.com
In possibly the snarkiest letter of all time, Arthur C. Fifield turned down Gertrude Stein's manuscript for "The Making of Americans" without reading all of it, then mocked her. The celebrated novelist and poet later mentored the likes of Ernest Hemingway. 

8. Jim Lee

Source: instagram.com
Today, Jim is the co-publisher of DC comics and one of the most famous figures in the comic book industry. But in this letter from Marvel (one of many rejection letters he'd received throughout his life), he was told to reapply "when he had learned to draw hands."

9. Stieg Larsson

Source: theguardian.com
This Swedish letter the man behind the award-winning "Millennium" trilogy told him he wasn't good enough to be a journalist. Although he didn't live long enough to experience his own success, those in charge at the JCCJ in Stockholm must be kicking themselves.

10. Edgar Rice Burroughs

Source: erbzine.com
Edgar's claim to fame, "Tarzan of the Apes", has spawned 25 sequels and countless reproductions. But before everyone knew about the famous ape man, his story was unceremoniously rejected from a magazine in 1912. Luckily, a wiser publication accepted his piece later that year, launching a legacy that is now over a hundred year old.

11. Others didn't save their letters, but they'll never forget the words that fueled their success...

Walt Disney - Fired from the Kansas City Star in 1919 because he "lacked imagination and had no good ideas." JK Rowling - Rejected by dozens, including HarperCollins, when a small publisher in London took a chance on Harry Potter. Oprah Winfey - Fired as an evening news reporter of Baltimore's WJZ-TV because she couldn't separate her emotions from her stories. George Orwell - A publisher turned down his legendary novel, Animal Farm, with the words "It is impossible to sell animal stories in the USA". Jerry Seinfeld - Didn't find out he was cut from a minor role on a sitcom until he read the script and discovered his part missing. Elvis Presley - After a performance in Nashville early in his career, he was told by a manager that he was better off driving trucks in Memphis (his previous job). Steve Jobs - Fired from the company he started, Apple, but was desperately brought back in 1997 to save it. Apple is now the most valuable company in the world.Stephen King - His first book, Carrie, was rejected thirty times. He nearly threw the book out when his wife saved it from the trash and encouraged him to keep trying. Marilyn Monroe - At the start of her storied modeling and acting career, she was told she should consider becoming a secretary. Abraham Lincoln - Demoted from Captain to Private during war, failed as a businessman, and lost several times as a political candidate before becoming President.
I could show you more, but the list would never end because no one has ever won without first experiencing many failures and rejections.  We can choose to learn from these lessons, or let them destroy our spirit. The ones who ultimately succeed are those who never, ever stop trying. Share this list and inspire others to keep chasing their dreams!
This article is picked from http://news.distractify.com

Dominating Business Like a #GIRLBOSS

When she was 5 years old, Sophia Amoruso picked up a red string and ran outside with it flying behind her. She told the rest of the neighborhood kids it was a kite.

“Soon everyone had red strings and we all ran together, our kites high in the sky,” she writes in her debut book, #GIRLBOSS, a half-memoir, half-instructional guide released earlier this year for prospective entrepreneurs. As Amoruso explains in the book, that kind of magical thinking has been with her all her life and has propelled her forward. She now commands Nasty Gal, an e-commerce fashion retail destination with a nine-digit valuation and more than 350 employees in a sizable downtown Los Angeles office.

She’s graced rising-stars lists like Fortune’s 40 Under 40 and Inc.’s 30 under 30, but it wasn’t mere magic that took Amoruso from the playground to the boardroom. After a few detours—what she calls her lost years (spent hitchhiking, Dumpster-diving, working odd jobs and even shoplifting at times)—Amoruso finally opened an eBay shop in 2006. Calling her auction platform Nasty Gal Vintage, she sold vintage pieces discovered at thrift stores and slowly grew an empire on trial and error, with her own self-confidence (not to mention blood, sweat and tears) making up for a lack of outside assistance.
SUCCESS wanted to know the details of how Amoruso grew from a solopreneur into a #GIRLBOSS.

Q: In your book, you tell the red-string story to outline the importance of confidence. How do you think self-belief translates into achievement?
A: I like to say that where I hesitate, I fail. I snowboard a little bit, and it’s like this: You’re flying down a mountain and you’re like, Oh my God, am I going to fall? Every single time I think I could totally fall and knock my teeth out. And when I think like that, I will fall. You lose your confidence.

It’s not about going out in the world and being like, I’m the best thing ever. But I never doubt myself because that’s not a great way to be either. Just say to yourself, I can do this. When you believe in yourself, other people believe in you, too. When you believe in yourself, you do your best. It’s when I think I’ll fail that I do.

Q: A lot of people find ways to make the best of setbacks, though, including yourself. What’s your take on dealing with failure?
A: Success and failure sound like such ultimate things. But they’re not. There are small successes and there are small failures, but ultimately no one is actually a success or a failure. We are all in some amount of motion between those two things. Failure is failure only if you don’t learn from it. But if you try something and don’t get the results you expected, then you try something else. That is not failure. I think that’s success. The real failures are the people who try something, blow it and just give up.

Out of the first stuff I put on eBay, a few things sold, but not everything. If I had decided that nobody liked me and it was just too hard, if I had given up at any point along the way, I wouldn’t be where I am today. But I was like, OK, what sold? Great. What are other people selling? Cool. I’m going to find things like that. I improved every day, and, of course, certain things still failed—certain things still fail.

All you can do is learn and tweak and learn and tweak.

Q: One of the things you mention learning in the book is how to look at things really critically. For any product or idea to make the cut, you first insult it. How does that strategy work?
A: I think it’s easy to like things and get carried away with them. Christina, my buying director and first employee, and I insult a new product as much as possible. Does that look like a hospital gown? Are those stripes too Charlie Brown? And if it still holds up, we buy it. It’s kind of a tough-love strategy, but I think when you realize something is good after having rejected it, you like it for the right reasons.

I’m not saying walk around and reject everything and everyone. That won’t work. But a certain amount of scrutiny will help you navigate the world. This “rejection strategy” is ultimately not taking everything at face value, but asking, “What is that, actually?” and “How do I feel about this?” before diving headfirst into anything.

Q: As you tweaked your strategies, you stumbled upon some other important lessons, including the importance of social media. How did you use it to grow?
A: Social media is responsible for Nasty Gal’s success. At the start, I didn’t have a marketing budget, and had I not figured out how to talk to my customers for free, to find new ones, to evangelize the brand and allow them to evangelize the brand via social media, there’s no way we would exist today. It’s massive what social media can do.

Having an online business is freeing in so many ways. The Internet is a place where anyone can be an entrepreneur. If you do a good job and create compelling content, whether that content is your product or something you’re writing on a blog, people will notice. Just give people a reason to talk, and they will.

Q: The heart of the Nasty Gal brand is you and your philosophies. How did you infuse the brand with your spirit?
A: The spirit of Nasty Gal is one of irreverence and confidence and making stuff happen for yourself. It’s about getting dressed for your life and not being a wallflower. And I think that’s just a great approach to have in life.

Our business philosophy is about personal accountability and teamwork. It’s about being open, learning from each other and asking obvious questions—it’s OK not to know. It’s about making friends and reaching out to people across the organization whether or not you usually work with them. And it’s about having fun and not taking ourselves too seriously. That’s something we’ve always been pretty good at. We’re not wacky for the sake of being wacky, and we’re all pretty much down to business at the end of the day. But it’s OK to be weird.

Q: As the company grows, how do you keep that culture?
A: Here’s an example: I just personally handed out a copy of #GIRLBOSS to every person who works in the office, and I signed it and drew a mustache on my face on the cover. I have an important job to do, but I still try to be accessible and approachable.

As for our workplace environment, I think the trend in open offices is really awesome. People aren’t stuffed in cubicles or in closed offices, except for a few of us. We have a lot of autonomous work areas, such as conference tables out in the open and sofas where people can take their laptops, hang out, work together and have conversations. It’s a casual atmosphere—and people actually want to be at the office.

Q: What other aspects of your personality have created opportunities for Nasty Gal—and yourself—to grow?
A: What creates opportunities is trying new things and not being afraid of taking smart risks. What closes doors is, obviously, not doing that, and not learning from everything that you do. I believe in having dreams and getting up and trying again when things don’t work out.
But sometimes things just aren’t meant to be. Being okay with changing direction when something really isn’t working, I think, is important. I had a dream. I first wanted to be a photographer, and had I been so adamant about that being my sole future, I would never have found myself selling on eBay or realizing that vintage clothing was a path to something a lot bigger, which it was.

This article is picked from Success Magazine.

Monday 3 November 2014

11 Reasons Why Your Website Doesn't Sell

well-designed website organically grows a company's business and reinforces branding. 
A study by Nielsen Norman Group found that users stay on a website for an average of 10 to 20 seconds. Visitors hang around longer only if they find something worthwhile during those initial glances. For a business, every second counts. 
Several factors may strip a website of value. Here are 11 problems that affect a site’s presentation alongside fixes to immediately apply to help drive greater user engagement and better traffic. 

1. Low-quality visuals.

Many have written about the power of visuals in communication. A 1986 study by the University of Minnesota's Management Information Systems Research Center with 3M support found presentations using visual aids 43 percent more convincing. A website’s potential can be held back by the inclusion of low-quality visuals.
Marketing expert Govind Agarwal recommends having high-quality photos to grab viewers’ attention, increase social shares and even boost overall SEO if pictures are tagged appropriately. Labnol.org offers a list of places for finding free professional images.  

2. Lack of reviews or testimonials.

If its website does not have testimonials, a business is missing out on an easy and effective marketing tool. Customers are discriminating. Merely telling them of the strength of product or service is not enough anymore. Testimonials can help create trust for a company's offerings and quell concerns customers might have about making a purchase. Derek Gehl, CEO of the Internet Marketing Center, has shared guide to using testimonials and choosing ones that are suit an audience. 

3. Lacking color savvy.

Another factor that might cause weak sales on a company site is its color scheme. Much research is being done on visual information that's hue-related. Many entrepreneurs probably already understand theimportance of branding. A powerful brand sets the company apart from the competition and makes the  business instantly recognizable to consumers. But it can lose credibility with users if its website is adorned with an unimpressive color scheme.
For a crash course on color theory, reference Smashing Magazine’s in-depth guide. Determine what the company's brand should convey to customers and be sure the website has an appropriate color scheme to match. 

4. Outdated information.

Scroll down to the bottom of a webpage to where a copyright date is listed. Is it still recent? According to Small Business Trends, a website appearance that looks out of date is an instant turnoff to customers.
Clients want to see that a company has put in effort to stay current. This includes regularly adding new content and refreshing existing copy. 

5. Hard to find.

The best website in the world is useless if no one can find it. An entrepreneur need not know much about search engine optimization to develop pages that are easily discoverable by search engines and consumers. Gwen Moran has recommended a strong domain name, carefully optimized page titles to accurately reflect the content inside and using keywords effectively.  

6. Not being mobile friendly.

A business website may resemble a work of art when opened on a desktop computer, but if it does not display well or function on a mobile device, the company will lose out on a growing segment of the online audience. Shopify, a leading ecommerce platform, looked at data from more than 100,000 websites that use its platform and found that slightly more than 50 percent of shopping is being done via mobile. To ensure that a website is mobile responsive, check these actionable tips

7. Difficulty in finding contact information.

Ever needed assistance in a store just when all the sales associates seem to have disappeared? In retail, that should never be the case. Online, it shouldn’t be either. If a customer has a question or needs help, the site's contact information should be easy to find. Being available on demand, such as via live chat, can also help a business better engage customers, reduce costs and boost sales

8. Misdirected focus.

Customers want their experience on a business website to be focused on them. This means including sections that answer their questions and address their needs. An easy fix is including a frequently asked questions, or FAQ, page. The Content Marketing Institute recommends highlighting top questions, with timely answers and making the archive searchable. When possible, simplify the user experience by making answers accessible within one click. Customers want fast, helpful information.  

9. Requiring sign-ups first

Forcing users to sign up on a company site before they can access can deter engagement. It puts an artificial hurdle between customers and the company's products. According to user-experience blog UX Movement, aggressive sign-up forms make readers hesitant to divulge personal information for fear of receiving spam. In many cases, consumers assume the value they'll receive won’t be worth the price they pay in sharing an email address. Make each visit count and do not corner users into doing anything they're not comfortable doing. 

10. Audio or video the autoplays.

One way to surely annoy a site’s visitors is to set audio and video on pages to autoplay. In an editorial, Troy Dreier, senior associate editor of StreamingMedia.com, wrote, “Sites are overusing autoplay, and it reflects badly on the whole online video industry.” Unfortunately, publishers, desperate for revenue, are still happy to deliver autoplay ads. To minimize disruptions to the reader experience, limit a clip to five seconds or less or offer a pause or stop button if it runs longer.  

11. Painfully slow load times.

Digital audiences are impatient. Even if a website is filled with incredibly captivating media, it may experience high bounce rates if pages take too long to load for readers. Visitors highly value their time, so build a fast website that caters to their needs at lightning speed. Compressing images and large files is an easy way to guarantee quicker load times. Use a tool like Smush.it to shrink files and optimize a site’s performance.
This article is picked from Entrepreneur Magazine